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Prelims GS-I · Ancient India · Indus Valley Civilization

Religion

Religion in the Indus Valley Civilization is reconstructed from archaeology rather than readable scriptures. Seals, figurines, bathing structures, possible ritual hearths and burials suggest varied symbolic and ritual practices, but their precise meanings remain uncertain because the Indus script is undeciphered. For UPSC, the central distinction is between archaeological evidence and later interpretations such as Mother Goddess worship, a proto-Shiva deity or continuity with Hindu traditions.

Mohenjo-daro
Mohenjo-daro. Photo: Saqib Qayyum · CC BY-SA 3.0 · source
Pashupati seal impression
Pashupati seal impression. Photo: Ernest John Henry Mackay (5 July 1880 – 2 October 1943) · Public domain · source

1. Sources and limits of reconstruction

The Indus or Harappan Civilization occupied a vast region encompassing present-day Pakistan and northwestern and western India. Its mature urban phase, approximately 2600–1900 BCE, produced distinctive seals, planned settlements, sophisticated drainage and extensive craft networks. Religious life, however, is much harder to reconstruct than its urban infrastructure. Archaeologists must infer beliefs from objects, images, buildings and the treatment of the dead rather than from deciphered religious texts.

The principal sources include terracotta human figurines, animal and composite-creature motifs on seals, miniature tablets, unusual stone objects, bathing installations, hearths and cemeteries. Their archaeological context is crucial. An object found in a household, workshop, rubbish deposit or grave may have had very different functions. A figurine, for instance, could represent a deity, a person, a toy or an object used in domestic ritual.

Early interpretations often relied on comparisons with later Hindu practices or fertility cults elsewhere. Such comparisons generate hypotheses but do not establish identities. Shared material culture across Harappan settlements also does not prove a single, centrally organised religion. For examination answers, separate three levels: what was excavated, what scholars infer from it, and what remains unproven.

  • Absence of identifiable temples does not establish absence of worship.
  • An undeciphered script prevents reliable identification of divine names, myths and ritual instructions.

2. Figurines and the debate over Harappan deities

Numerous terracotta female figurines, especially from sites such as Harappa and Mohenjo-daro, have elaborate headdresses, ornaments and sometimes prominent sexual features. John Marshall and other early scholars interpreted many as representations of a Mother Goddess associated with fertility. This became a familiar textbook explanation. Yet female form alone does not demonstrate divinity, motherhood or a civilisation-wide fertility cult. Figurine types and their distribution vary, and their original uses remain uncertain.

A famous steatite seal from Mohenjo-daro depicts a seated, horned central figure surrounded by animals, including an elephant, rhinoceros, tiger and buffalo. Smaller antelope-like animals appear below the seat. Marshall interpreted the figure as a proto-Shiva or Pashupati, meaning lord of animals, drawing attention to its posture, headdress and supposed multiple faces. The popular label Pashupati seal reflects this interpretation.

Important details remain disputed: whether the posture represents yoga, whether the figure is actually multi-faced, and whether its identity can be linked to Shiva. Similarly, certain conical stones and ring stones were interpreted as linga and yoni symbols, but practical or architectural uses are possible. The sculpted male bust popularly called the Priest-King provides no independent proof of either priesthood or kingship.

  • Use phrases such as interpreted as or possibly associated with when discussing deity identifications.
  • Mother Goddess and proto-Shiva are hypotheses, not deciphered Harappan religious categories.

How to evaluate a claim about Harappan religion

  1. 1. Identify the object, structure or burial and its archaeological context.
  2. 2. Establish its site, date and associated finds.
  3. 3. Compare religious interpretations with practical alternatives.
  4. 4. Check whether the pattern is local or widespread.
  5. 5. State the conclusion with an appropriate degree of uncertainty.

3. Animals, trees and symbolic imagery

Harappan seals display bulls, elephants, rhinoceroses, tigers, buffaloes and composite beings. The most frequent distinctive motif is the so-called unicorn, an animal shown with one prominent horn, often facing a stand-like object. Its exact meaning is unknown. It might have expressed a corporate, occupational, lineage or religious identity. The stand has sometimes been interpreted as a ritual object, but neither its function nor the animal's significance is securely established.

Trees, particularly forms identified as pipal, occur in scenes involving human or supernatural figures. Some images show a figure within a tree or people apparently participating in a ceremonial scene. These support the possibility that trees and vegetation had symbolic or sacred associations. Nevertheless, claims about a specific tree deity, an organised nature cult or direct continuity with later worship require evidence beyond visual similarity.

Seals were also practical objects connected with marking goods, establishing identity and exchange. Their motifs therefore need not have been exclusively religious. Small objects described as amulets may suggest protective practices, but this classification also involves interpretation. Horned figures and composite creatures indicate a rich symbolic vocabulary without revealing its full meaning. Familiar terms such as totemism or animism should not be treated as demonstrated descriptions of Harappan religion.

  • Animal imagery is evidence of symbolic importance, not automatic evidence of animal worship.
  • A seal could carry economic, social and religious meanings simultaneously.
Evidence, interpretation and examination caution
EvidenceCommon interpretationNecessary caution
Female terracotta figurinesMother Goddess or fertility worshipNot every female figurine was necessarily a deity.
Horned seated figure on a Mohenjo-daro sealProto-Shiva or PashupatiDivine identity and continuity with Shiva remain disputed.
Great BathCeremonial bathing or purificationIts exact function and rules of access are unknown.
Possible fire altars at KalibanganRitual use of fireThese do not by themselves establish Vedic sacrifice.
Pottery and ornaments in gravesFunerary offeringsA specific afterlife doctrine cannot be reconstructed.

4. Bathing, fire and possible ritual spaces

The Great Bath at Mohenjo-daro is the strongest architectural basis for discussing collective ritual. Its tank measures approximately 12 metres by 7 metres and is about 2.4 metres deep. Baked bricks, waterproofing materials including bitumen, stairways and a drainage arrangement demonstrate careful engineering. Its prominent location and associated rooms have encouraged the interpretation that selected participants used it for ceremonial bathing or purification.

This interpretation is plausible rather than certain. Ordinary wells, bathing platforms and drains elsewhere in Harappan settlements primarily demonstrate water management and hygiene; they cannot all be assigned religious functions. Nor does the Great Bath establish a direct institutional connection with later temple tanks. No monumental building across the civilisation has been universally identified as a temple through a combination of architecture, inscriptions and cult objects.

At Kalibangan in Rajasthan, excavators identified rows of brick-lined installations as fire altars. Similar interpretations have been proposed for features at Lothal in Gujarat. These finds suggest possible regional ritual practices, but a hearth may also serve domestic or industrial purposes. Shape, associated deposits and archaeological context must therefore be assessed together. Even where ritual burning is plausible, identifying these installations specifically with Vedic yajna goes beyond the available evidence.

  • Do not infer a priestly ruling class solely from the Great Bath or the Priest-King sculpture.
  • Regional variation is more defensible than assuming identical rituals at every Harappan site.

5. Burials, afterlife and historical continuity

Harappan cemeteries provide evidence about the treatment of the dead and possible beliefs concerning death. At Harappa's Cemetery R-37 and other sites, extended inhumation is documented: the body was placed lengthwise in a grave, often with pottery and sometimes ornaments or other objects. Grave construction, orientation and accompanying goods vary. The presence of pottery may indicate funerary offerings, but it does not reveal a precise doctrine of the afterlife.

Compared with elite tombs in ancient Egypt or Mesopotamia, known Harappan graves generally lack spectacular accumulations of wealth. This difference should not be converted into a claim that Harappan society was completely egalitarian. Status could have been expressed outside funerary contexts, and excavated cemeteries represent only part of the population. Other funerary forms, including urn deposits and graves without complete bodies, require site-specific and chronological interpretation.

Harappa's Cemetery H belongs to the later, post-urban sequence and should not be merged indiscriminately with Mature Harappan customs. More broadly, trees, bathing, animal symbolism and possible fertility imagery invite comparison with later South Asian traditions. Continuity is possible, but resemblance alone cannot demonstrate uninterrupted worship, unchanged meanings or identical deities. Harappan religion is best understood as a diverse and incompletely recoverable set of practices rather than an early version of a fully documented later faith.

  • Burial offerings suggest ritual behaviour but do not prove beliefs in rebirth or any specific theology.
  • Keep Mature Harappan and later funerary evidence chronologically distinct.

Real-world case studies

Mohenjo-daro: the Great Bath

The Great Bath illustrates the difference between a secure observation and a plausible interpretation. A carefully waterproofed communal tank is archaeologically established; ceremonial purification is inferred from its design and setting. The names of any deities, participants or ceremonies remain unknown.

Kalibangan: interpreting fire installations

Excavations at Kalibangan revealed installations described as fire altars, including a row on a raised platform in the citadel area. They are important evidence for possible ritual activity and regional variation. Their identification does not independently establish Vedic ritual, linguistic affiliation or a civilisation-wide fire cult.

Previous year questions

No UPSC question has been asked directly on this micro-topic yet. Use the practice questions below.

Practice questions

Practice MCQ 1

With reference to Harappan religion, consider the following statements: 1. The identification of the seated horned figure as proto-Shiva is an interpretation rather than a deciphered identification. 2. Every female terracotta figurine can securely be classified as a Mother Goddess. 3. Religious and administrative functions of seals need not have been mutually exclusive. Which of the statements given above are correct?

  • A. 1 and 2 only
  • B. 2 and 3 only
  • C. 1 and 3 only
  • D. 1, 2 and 3

Practice MCQ 2

Which one of the following pairs is incorrectly matched?

  • A. Mohenjo-daro — Great Bath
  • B. Kalibangan — Installations interpreted as fire altars
  • C. Harappa — Cemetery R-37
  • D. Dholavira — Deciphered inscription naming a Harappan deity

Practice MCQ 3

The presence of pottery and ornaments in some Harappan graves most directly supports which conclusion?

  • A. Harappans followed the doctrine of rebirth described in later texts.
  • B. Some communities placed objects with the dead as part of funerary practice.
  • C. All Harappan communities used identical burial rites.
  • D. Harappan cities were governed by hereditary priests.
Mains practice · Archaeology reveals the religious symbolism of the Harappan Civilization more clearly than its theology. Discuss with reference to material evidence and its interpretive limitations. Answer in 250 words.
  • Explain the constraint imposed by the undeciphered script.
  • Discuss figurines, the so-called Pashupati seal, animal motifs and tree imagery.
  • Evaluate the Great Bath and possible fire altars without treating their functions as certain.
  • Use funerary evidence to distinguish ritual behaviour from specific beliefs.
  • Highlight regional variation and distinguish Mature Harappan from later contexts.
  • Conclude that continuity with later traditions is possible but cannot be assumed from resemblance.

Further reading

  • NCERT, Themes in Indian History, Part I: Bricks, Beads and Bones — The Harappan Civilisation.
  • Upinder Singh, A History of Ancient and Early Medieval India: From the Stone Age to the 12th Century.
  • Jonathan Mark Kenoyer, Ancient Cities of the Indus Valley Civilization.
  • Archaeological Survey of India: excavation publications and official resources on Kalibangan, Lothal and Dholavira, asi.nic.in.
  • UNESCO World Heritage Centre: Archaeological Ruins at Moenjodaro, whc.unesco.org.

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